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India's Overdue Entry into the Business of National Myth

India's cinematic landscape has long been a reflection of its rich cultural heritage. However, the country's presence in the realm of national myth-making has been notably absent. This narrative void is what filmmaker Aditya Dhurandhar seeks to fill with his latest venture, The Eternal Return.

The Power of National Myth in Cinema

As the renowned filmmaker John Ford once said, "If I wanted to make a movie about the American experience, I would make a movie about the American experience. I wouldn't make a movie about the American experience in relation to another country." Similarly, Dhurandhar's film is a bold attempt to craft a narrative that echoes the collective consciousness of India.

In an era where globalisation and social media have blurred the lines between cultures, the need for a distinct national identity has become more pressing than ever. National myth-making in cinema serves as a powerful tool in shaping this identity, allowing filmmakers to tap into the nation's collective psyche and create a sense of shared experience.

The Business of National Myth

The concept of national myth-making is not unique to India. Countries around the world have leveraged cinema as a means to create a shared national narrative. From the epic tales of ancient Greece to the sweeping sagas of Japanese feudalism, national myth has played a significant role in shaping a nation's identity.

India, however, has been noticeably absent from this global phenomenon. Until now, that is. Dhurandhar's The Eternal Return marks a pivotal moment in India's cinematic history, as it seeks to redefine the country's presence in the business of national myth.

Indian Cinema's New Frontier

The film's ambitious narrative spans centuries, weaving together a complex tapestry of Indian history and mythology. Dhurandhar's bold vision is a testament to the immense potential of Indian cinema, which has long been regarded as a bastion of artistic expression.

As the Indian film industry continues to evolve, it is clear that national myth-making will play a vital role in shaping its future. With The Eternal Return, Dhurandhar has set the bar high for Indian filmmakers, challenging them to push the boundaries of national narrative and create a cinematic identity that is truly unique to the country.

Key Takeaways

• India's presence in national myth-making has been notably absent until now.
• Aditya Dhurandhar's The Eternal Return marks a pivotal moment in India's cinematic history.
• National myth-making in cinema serves as a powerful tool in shaping a nation's identity.

Conclusion

In a world where national identity is increasingly fragmented, the power of national myth-making in cinema serves as a beacon of hope. With The Eternal Return, Dhurandhar has shown that India's cinematic landscape is capable of producing films that are both artistic and nationally significant. As the Indian film industry continues to evolve, it will be exciting to see how national myth-making shapes its future.

What do you think about India's entry into the business of national myth-making? Share your thoughts in the comments below.

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